It was about 5 years ago that I stepped into the mega B&H store in New York City. My mission: to purchase the almighty GlideCam HD-4000 and its accompanying bells and whistles. I thought to myself: “This was it!” I’d finally be able to get those smooth and steady cinematic shots that I‘d seen in so many movies. But with its steep price and cumbersome design, I always knew this was just a step into a cheaper, smaller, and simpler future for the stabilizer market.
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